Friday, October 17, 2008

31 Screams: Al Hedison

The ending of Kurt Neumann's THE FLY (1958) is a gargntuan downer, even with the cutesy coda that shows Vincent Price becoming a surrogate father to the son of doomed/dead scientist Al Hedison. It's a studio-mandated feel-good conclusion that doesn't for a minute ameliorate the horror of the previous 90 minutes - in which a man, whose atoms have become fused with that of a common housefly and who is stuck with the insect's head and foreleg where his arm used to be, and who fails every attempt to reverse the process - defeatedly crushes his mutated skull and upper body in an industrial press so that there can be no evidence of his tragic scientific misstep. It's grim stuff but what follows, well brother... that just takes the cake.

With the manfly dead and his wife, Patricia Owens, about to be carted off to an insane asylum for his murder, Price and police inspector Herbert Marshall make the ghastly eleventh hour discovery of a flyman caught in a spiderweb in the garden. Here they are brought face to face with the inescapable fact that fantastic story they've just been told is absolutely true, its final act being played out in front of their unbelieving eyes. They can only look on in horror as the fly, who has retained the scientist's human head and a arm, is about to be consumed by a spider.

I'm not sure what to make of the flyman. As most of the dead scientist's intelligence was retained within his manfly brain, there obviously isn't much left for that of the flyman... who screams pitiably as he meets his doom. His voice is high-pitched - just within the range of human hearing - but his pleas are unmistakeable. "Help me," he cries out. "Help me." And as the spider draws closer, it sounds as if he is yelling "Go away... go away" to the spider in childish desperation. And that's just it-- this scene horrifies, it cuts to the bone because it's like watching a child being murdered right in front of you.

Although Bey Nye's makeup suggests dessication and age, there's an innocence about the flyman, a seemingly complete inability to understand why this is happening, that makes him seem like a child. Your heart breaks, it positively breaks at the uncomprehending terror of this poor creature, the most helpless being in all Creation. Empathy sits cheek by jowel with revulsion as you watch this death occur and hear this thing's dying entreaties for someone to save it, to be its hero, to spare the only life it has.

Just as the spider descends upon the flyman, the inspector hefts a large stone and crushes both creatures, killing them together and sparing us the coup de grace. "I shall never forget that scream as long as I live," the inspector confesses... and neither shall we.

6 Arbogasps:

Johnny B said...

Back in 1975, I attended a lecture given by Vincent Price at Western Kentucky University, and he told the story of the filming of this scene. Of course, they were asked to react to an offscreen prompt, and when the prompter started in with the "help mee..." line, he and Marshall couldn't keep a straight face. The shot took a multitude of takes before they finally were composed enough to get through it.

Of course, it was funnier when he told it, but I can't watch this now without thinking of Price's story...

Fred said...

I think you really captured the essence of that scene, easily the most memomorable (and horrific) in that entire film. For years afterwards, a squeaky, high pitched "Help me" was a catchphrase for film fans. I don't think anyone who has seen the original "The Fly" will ever forget that ending. It is interesting that you note the juxtaposition of the old age of the manfly (the filmmakers correctly noting the short lifespan of a housefly as compared to a human) with the childlike cries of the creature. In many ways, this is like the awful stories I've heard and read of soldiers dying on the battlefield, crying for their mothers, and reduced in that instant to the child which they once were.

Dr. Pretorius Lapper said...

The Fly is an all-time favorite of mine. That last scene has always seemed rather disturbing to me and I think you hit on why. It is like a child and it's helplessness makes it so unbelievably sad. That and the doctor's fly head death make for an extraordinary, non-feel good ending. You just know from watching these old movies that the kid is going to catch the fly with the white head and everything will be reversed ... and then, nothing. It never happens.

Cinebeats said...

One of the best screams ever!

The Fly still ranks as one of the scariest movies I've ever seen. The first time I saw it I was about 10 years old and it absolutely terrified me. Of course the premise is frightening but the film has an overall unnerving mood that really shook me up. It's a beautiful looking film (3 cheers for Karl Struss) and that ending = amazing!

Robert Cashill said...

The Fly is a long-time favorite of my mom and aunt. Fifty years later, they still crack up over "Help me!"--but recall it being a blood-curdling moment that first time they saw it.

The Man with the Arbogast Eyes said...

I can appreciate a high-pitched Fly impersonation as much as the next guy (and in fact I was doing one yesterday for my son's edification) but when I'm watching the movie it's deadly serious to me. Egad, how did this thing get passed 50 years ago - the hydraulic press death alone is so grotesque it's like a particular out of a true crime chronicle.